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[alternative rock, psychedelic rock] (2018) Anthroprophh - Omegaville [FLAC,Tracks] {100.XY}

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Torrent File Content (15 files)

Description

(2018) Anthroprophh - Omegaville


Review:
We enter the world of Omegaville at breakneck speed. This massive,
conceptual double album does not begin with any grand overture or introduction – Anthroprophh require no scene
setting. Led by the titanic guitar force of Paul Allen, this fierce vision of pressurised dystopia begins with the
gut-churning salvo of ‘2023’, a 2-minute barrage of manic fuzz, like a hypercharged ‘Neat Neat
Neat’. It duly blasts onwards through the monstrous ‘Dead Inside’ – similarly rabid and not
much longer – then again, again and again through the spinning ‘Housing Act 1980’, then the rabid
grit of ‘Oakmoll’. There is no pause, no time to gather your senses, just layer after layer of pummelling
and freewheeling guitars – hectic squalls caterwauling over churning riffs, the momentum constantly searing
upwards.
And then, one minute into ‘Sod’, just as this stampeding record seems to be careening out of
control altogether, there’s a sudden, thudding stop, a silence that lasts only a second or two but one that jolts
like whiplash. Until now the record’s been nothing but a bracing experience, for the most part thanks to
Allen’s guitar; in this tiny pocket of calm you’re given a split-second to take stock of its power. 
This is a much deeper work than that mad, dizzying first rush might suggest; the very fact it’s structured this
way is itself part of an overarching concept. Allen has spoken about the influence of Can’s Tago Mago,
particularly the way in which the record was frontloaded with its most conventional tracks before easing its way into
more experimental climes in the second half. He also discussed the concept behind Omegaville in a recent tQ interview:
“It starts off with general first-world problems – ‘Sod’, for example, is vaguely about how
crap it can be to be in a band – but then it descends into being about the gentrification of my hometown and the
possible outcome for the not-so-wealthy. The sounds at the end of the record are supposed to be from an imagined
out-of-town hellish reservation where an overwhelming number of us end up homeless and insane. It’s not a happy
ending, but not an improbable scenario for people in my situation and for many of my friends and their offspring.
That’s if we continue with our current trajectory, with housing especially.”
This pause during
‘Sod’ is the first of a number of important moments on an album that is peppered with little dividers. They
can mark a shift in tone, but more importantly offer a look back on what’s happened so far, to get a grip on the
consequences of the captivating music that’s already passed. ‘Sod’ continues after the break with a
jarring combination of sickly coughs and gloomily twanged undistorted guitar, before breaking back into a tempest
that’s now more sprawling and disconcerting than before. Things are getting more unsettling, it’s not just
blistering riffage now but apocalyptic choirs (‘Death Salad’) and genuinely chilling, cultish chants
(‘Why Are You Smiling?’).
On Omegaville, Anthroprophh keep pushing and pushing, laying on one
oppressive and opaque layer after another, and delving further and deeper into their only semi-imagined dystopia. There
is another of those pauses before ‘I’, a track on which they intensify their assault once more with a
colossal roar, the precursor to the outer reaches.
The album ends with its two, final pushes towards the depths:
the fifteen-minute ‘OMEGAVILLE/THROB’ and the even longer ‘Journey out of OMEGAVILLE and into
the………..’. It is the first, not the second that is the climax, though.
‘OMEGAVILLE/THROB’ finds Anthroprophh cascading and avalanching downwards with even more force than before,
the final cataclysmic throes of crushing metropolitan dystopia, while ‘Journey out of OMEGAVILLE and into
the………..’ is a bleak, drifting postscript. On this track we awake in that “out-of-town
hellish reservation where an overwhelming number of us end up homeless and insane”. It is an eerie, sparse drift,
unfocused and instinctive as the sounds of basic percussion, howling wolves and the scraping of knives take over. Just
as in the shorter pauses on the record we are forced to take stock, to acknowledge and absorb what has gone before, only
now we do so from this post-apocalyptic vantage point. The entire scope of Omegaville is laid out in front of us, and it
is dark and terrifying.





Tracklist:
01 - 2029.flac
02 - Dead Inside.flac
03 - Housing Act
1980.flac
04 - Oakmoll.flac
05 - Sod.flac
06 - Death Salad.flac
07 - Why Are You Smiling.flac
08 - I.flac
09 - Maschine.flac
10 - Human Beast.flac
11 - OMEGAVILLE - THOTHB.flac
12 - Journey
out of OMEGAVILLE and into the.flac

Summary:
Country: USA
Genre: alternative rock, psychedelic rock


Media Report:
Source                           : CD
Format                           : FLAC
Format/Info                   
  : Free Lossless Audio Codec, 16-bit PCM
Bit rate mode                    : Variable
Bit rate                
        : ~ 779-1000 Kbps
Channel(s)                       : 2 channels
Sampling rate                    :
44.1 KHz
Bit depth                        : 16 bits

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